<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title>Nightnight.art — A journal of the visual language of bedtime</title><description>Illustrator interviews, color studies of beloved picture books, and the quiet, careful work of the bedtime image.</description><link>https://nightnight.art/</link><language>en-us</language><item><title>The dark isn&apos;t dark: on the impossible color of the bedtime page</title><link>https://nightnight.art/articles/dark-isnt-dark/</link><guid isPermaLink="true">https://nightnight.art/articles/dark-isnt-dark/</guid><description>From Maud and Miska Petersham to Jon Klassen, the great picture-book illustrators of the last hundred years have all faced the same color problem — and almost none of them have solved it the same way.</description><pubDate>Tue, 12 May 2026 00:00:00 GMT</pubDate><category>Cover essay</category><author>Aria Voss</author></item><item><title>Beatrice Alemagna on slowness, paper, and the smell of an Italian bookshop</title><link>https://nightnight.art/articles/beatrice-alemagna-interview/</link><guid isPermaLink="true">https://nightnight.art/articles/beatrice-alemagna-interview/</guid><description>&quot;I keep working on the same image until I forget what I meant by it. Then it&apos;s done.&quot; An hour-long conversation in Antwerp with the Bologna-born illustrator about the long, careful labor of the picture book.</description><pubDate>Sun, 10 May 2026 00:00:00 GMT</pubDate><category>Interview</category><author>Aria Voss</author></item><item><title>Jon Klassen on absence, the look just off-frame, and not over-explaining</title><link>https://nightnight.art/articles/jon-klassen-interview/</link><guid isPermaLink="true">https://nightnight.art/articles/jon-klassen-interview/</guid><description>&quot;A picture book is mostly the page you don&apos;t turn yet.&quot; A studio conversation with the Halifax-based illustrator on restraint, the off-frame glance, and the dangers of writing what the picture already says.</description><pubDate>Wed, 06 May 2026 00:00:00 GMT</pubDate><category>Interview</category><author>Theo Klein</author></item><item><title>Komako Sakai on the gouache she keeps replacing, and the rabbit she keeps drawing</title><link>https://nightnight.art/articles/komako-sakai-interview/</link><guid isPermaLink="true">https://nightnight.art/articles/komako-sakai-interview/</guid><description>&quot;The rabbit is patient. I learn from the rabbit.&quot; A long-overdue first English-language interview with the Tokyo-based illustrator on her four-decade quiet revolution in the picture book.</description><pubDate>Sat, 02 May 2026 00:00:00 GMT</pubDate><category>Interview</category><author>Aria Voss</author></item><item><title>The five blues of Goodnight Moon</title><link>https://nightnight.art/articles/five-blues-goodnight-moon/</link><guid isPermaLink="true">https://nightnight.art/articles/five-blues-goodnight-moon/</guid><description>Clement Hurd&apos;s 1947 plates use, by our count, exactly five blues. The rest is suggestion. A spectrophotometer, a Munsell library, and an absurd amount of weekend time.</description><pubDate>Tue, 28 Apr 2026 00:00:00 GMT</pubDate><category>Color study</category><author>Theo Klein</author></item><item><title>On AI illustration, carefully: when it works, when it really, really doesn&apos;t</title><link>https://nightnight.art/articles/ai-illustration-carefully/</link><guid isPermaLink="true">https://nightnight.art/articles/ai-illustration-carefully/</guid><description>A non-hysterical look at the better children&apos;s-product apps using generative imagery in 2026 — and what good art direction looks like inside them. Including the case for a more useful conversation.</description><pubDate>Wed, 22 Apr 2026 00:00:00 GMT</pubDate><category>Essay · Criticism</category><author>Aria Voss</author></item><item><title>In the Night Kitchen, by the numbers</title><link>https://nightnight.art/articles/sendak-night-kitchen-palette/</link><guid isPermaLink="true">https://nightnight.art/articles/sendak-night-kitchen-palette/</guid><description>Sendak&apos;s 1970 plates use a cobalt deeper than anything else in his catalog, alongside a bakery cream that almost no one else in the canon dared. A close color study.</description><pubDate>Sat, 18 Apr 2026 00:00:00 GMT</pubDate><category>Color study</category><author>Theo Klein</author></item><item><title>Edward Gorey and the discipline of almost nothing</title><link>https://nightnight.art/articles/edward-gorey-restraint/</link><guid isPermaLink="true">https://nightnight.art/articles/edward-gorey-restraint/</guid><description>Gorey&apos;s plates are mostly empty. The emptiness is the technique. A short walk through what he was actually doing, and what we keep getting wrong about him.</description><pubDate>Mon, 13 Apr 2026 00:00:00 GMT</pubDate><category>Essay · Craft</category><author>Aria Voss</author></item><item><title>Wanda Gág&apos;s line work: the 1928 book that did more with less than anyone since</title><link>https://nightnight.art/articles/wanda-gag-line-work/</link><guid isPermaLink="true">https://nightnight.art/articles/wanda-gag-line-work/</guid><description>Millions of Cats (1928) is the first American picture book in the modern sense. Its black-and-white line work remains, almost a century later, one of the strongest visual demonstrations of restraint we have.</description><pubDate>Wed, 08 Apr 2026 00:00:00 GMT</pubDate><category>Essay · Craft</category><author>Aria Voss</author></item><item><title>Dreams in mid-century children&apos;s books, and what they were really about</title><link>https://nightnight.art/articles/anno-dreams/</link><guid isPermaLink="true">https://nightnight.art/articles/anno-dreams/</guid><description>From Maurice Sendak to Mitsumasa Anno, the dream sequence became a small philosophical lever in 20th-century picture books. A walk through six dreams and what they were doing.</description><pubDate>Fri, 03 Apr 2026 00:00:00 GMT</pubDate><category>Long read · History</category><author>Sasha Lim</author></item><item><title>The lost art of the bedtime poster — five plates from a 1930s Czech school</title><link>https://nightnight.art/articles/czech-bedtime-posters/</link><guid isPermaLink="true">https://nightnight.art/articles/czech-bedtime-posters/</guid><description>A small, beautiful didactic genre that survived the war and didn&apos;t quite survive the seventies. With archival images.</description><pubDate>Sun, 29 Mar 2026 00:00:00 GMT</pubDate><category>Essay · Plates</category><author>Theo Klein</author></item><item><title>How to draw a moon that doesn&apos;t look like a logo</title><link>https://nightnight.art/articles/how-to-draw-a-moon/</link><guid isPermaLink="true">https://nightnight.art/articles/how-to-draw-a-moon/</guid><description>A short, pointed argument about flat circles, gradient circles, and the moons that are doing actual work. With six examples and one rule.</description><pubDate>Tue, 24 Mar 2026 00:00:00 GMT</pubDate><category>Craft · Argument</category><author>Aria Voss</author></item><item><title>An interview with the colorist behind The Lighthouse Keeper&apos;s Daughter</title><link>https://nightnight.art/articles/lighthouse-keepers-daughter/</link><guid isPermaLink="true">https://nightnight.art/articles/lighthouse-keepers-daughter/</guid><description>On separating line work from color, the value of a single fluorescent ink, and printing on two presses on the same day. With Maja Tielemans.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><category>Interview · Process</category><author>Theo Klein</author></item><item><title>Five bedtime books we want to see reprinted by 2028</title><link>https://nightnight.art/articles/five-books-to-reprint/</link><guid isPermaLink="true">https://nightnight.art/articles/five-books-to-reprint/</guid><description>A short, polite letter to publishers — plus the small, very specific reasons each title still has work to do.</description><pubDate>Sat, 14 Mar 2026 00:00:00 GMT</pubDate><category>List · Plates</category><author>The editors</author></item><item><title>The Petershams, half-remembered: a case for revisiting the parent generation</title><link>https://nightnight.art/articles/petershams-essay/</link><guid isPermaLink="true">https://nightnight.art/articles/petershams-essay/</guid><description>Maud and Miska Petersham did, between 1923 and 1948, the work that almost everyone in the modern American picture book is downstream of. Almost no one reads them. They should.</description><pubDate>Mon, 09 Mar 2026 00:00:00 GMT</pubDate><category>Essay · History</category><author>Aria Voss</author></item><item><title>The Mari Lwyd: the Welsh winter folk tradition that should be in more children&apos;s books</title><link>https://nightnight.art/articles/mari-lwyd-folk/</link><guid isPermaLink="true">https://nightnight.art/articles/mari-lwyd-folk/</guid><description>A horse skull on a pole, draped in white cloth, calling at the door at midwinter. The Mari Lwyd is one of the most visually striking surviving folk traditions in Europe — and almost entirely absent from contemporary children&apos;s illustration.</description><pubDate>Wed, 04 Mar 2026 00:00:00 GMT</pubDate><category>Essay · Folk illustration</category><author>Sasha Lim</author></item><item><title>The dust jacket as a separate work of art</title><link>https://nightnight.art/articles/dust-jacket-as-art/</link><guid isPermaLink="true">https://nightnight.art/articles/dust-jacket-as-art/</guid><description>Most children&apos;s-book dust jackets in 2026 are reduced to a single retail image. A few illustrators still treat them as their own composition. A short defense of the practice.</description><pubDate>Sat, 28 Feb 2026 00:00:00 GMT</pubDate><category>Craft · Argument</category><author>Theo Klein</author></item></channel></rss>